The Son of the man

"The Son of Man" is one of the most famous works by the Belgian surrealist artist René Magritte. 

This enigmatic and thought-provoking painting raises questions about identity, existence, and meaning.

The painting depicts a man dressed in a formal suit, standing in a serious posture, but his face is completely obscured by a large green apple suspended at eye level. 

Behind the man, a cloudy sky and a stormy sea create an atmosphere of mystery and symbolism.

The symbol of the apple in this painting is ambiguous and open to multiple interpretations. It could symbolize forbidden knowledge (referencing the story of Adam and Eve), or the veil that hides the truth from humanity, or the pride that blinds people from seeing the world as it is.

The hidden face symbolizes the true identity of the individual, which is often concealed behind social masks and the roles people play.


The sky and the sea represent the infinite and the unknown, reflecting humanity's constant search for understanding the world around them.


Some critics view the painting as a satirical critique of modern society, where people hide behind their true selves and present an idealized image of themselves to others.

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Head of a woman

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'Head of a Woman' is a painting drawed by the polymath and illustrious artist Leonardo da Vinci (1452-1519) outlined his approach to portraying the female form. He advocated for a modest and reserved posture, with the woman's knees drawn together, her arms close to her body or folded, and her head slightly bowed to one side. To fully capture the beauty of the face, he suggested avoiding the emphasis on muscles with harsh lines. Instead, he proposed letting a soft light glide over the features, fading gracefully into enchanting shadows. This technique, he believed, would create harmony and enhance the beauty of the face. Da Vinci further advised against elaborate hairstyles and artificial curls, arguing that they would make the women appear vain and overly concerned with their appearance. Instead, he encouraged artists to depict women with natural, windswept hair, suggesting that the wind, which could dishevel even the most carefully styled hair, was the greatest enemy of su...
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Ivan the terrible

صورة
 لوحة: Ivan The Terrible للفنان: Ilya Repin سنة: 1885م "The painting depicts Ivan IV, one of Russia's most bloodthirsty and suspicious tsars in the 16th century, nicknamed Ivan the Terrible, clutching his son whom he had killed with an iron rod after a quarrel over a simple family matter. With immense terror and profound remorse, the father rushes to his son, pressing him to his chest and squeezing the wound tightly, hoping that his only son will rise and this nightmare will vanish. His eyes say it all – the terror mixed with tears and regret, which the artist Ilya has embodied magnificently. This painting makes one wonder how an artist can portray the features of remorse and panic with such idealism. 💗"Herein lies the greatness of true art."
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